Wizkid has rewritten the record books once again as “Kese (Dance)” hits an unprecedented 1.87 billion radio airplay impressions, officially becoming the most-played song in a single year. This remarkable feat pushes past Omah Lay’s “Soso,” which previously held the crown with 1.74 billion impressions. It’s a testament not only to Wizkid’s global pull but to the song’s irresistible rhythm that has dominated stations, clubs, and everyday soundtracks worldwide.
Listeners didn’t just hear “Kese (Dance)” — they lived in it. From roadside speakers in Lagos to international radio rotations, the track became an anthem that captured joy, escapism, and collective movement. Wizkid’s ability to craft a song that resonates across continents highlights why he remains one of the most influential voices pushing Afrobeats into new frontiers.
Now that “Kese (Dance)” has set a bar many thought was unreachable, the conversation naturally shifts: Is Wizkid ushering in a new phase of Afrobeats dominance, and who will rise to challenge this level of cultural impact? The global music landscape may be entering a new chapter — one powered by rhythm, resonance, and record-breaking innovation.
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